News
SMH Op-ed: I’ve spent my life fighting nuclear. Here’s what Dutton isn’t telling you about his reactors
Today’s voter has it tough, especially younger Australians who get much of their information from apps. It’s daunting to sort fact from fiction in the Wild West world of online media, where hidden agendas and speculative opinion are rife. All the more so when a party’s policy only truly makes sense if viewed through a wider lens.
Opposition Leader Peter Dutton’s promise to build seven small-scale nuclear reactors, ostensibly to help meet future energy needs while keeping carbon emissions at bay, therefore needs to be seen for what it really is: a staggeringly bad idea, a stunt and a con. It is a backdoor attempt to pander to the fossil-fuel lobby – and under the electoral spotlight, more people will figure that out.
Younger voters understandably won’t know that a generation their age once packed the Sidney Myer Music Bowl with Midnight Oil, INXS and other friends to “Stop the Drop”. They won’t remember our Nuclear Disarmament Party campaign, which won Senate seats in Western Australia and NSW in the ’80s. They can’t know what it was like to grow up during the Cold War era or live through horrific meltdowns at the Three Mile Island, Chernobyl and Fukushima nuclear power plants, which were also “completely safe” until the day that they weren’t. But generations Y and Z can still smell a rotten idea when they give it a good sniff.
At first blush, nuclear energy is causing less concern to younger voters, who haven’t yet taken a closer look. When they do, they will find that most experts and qualified observers view the proposal as expensive, difficult to implement, prone to significant uncertainty and full of rubbery figures.
One example is the fanciful assumption that nuclear plants could be built in 12 years. Twenty years would be more likely – if they are built at all. Cost overruns and safety issues are equally certain. And the carbon consequences of prolonging our old coal-fired power generators are dire.
This deceptive proposal has all the Trumpian hallmarks: a quasi policy announcement intended to serve sectional interests – in this case, fossil-fuel conglomerates – while simultaneously serving up a cartoon enemy as ideological whipping boy, namely renewable energy.
Australia has abundant sunlight, plenty of wind, plus lots of pumped hydro resources that can all be converted by increasingly efficient technologies. Stored batteries are ramping up, too. The butterfly has emerged from the chrysalis and taken to the skies – the renewable energy transition is well under way. Construction costs will keep coming down. Supply will keep going up. The future is already here.
By wrenching the country off this course, Dutton’s plan would leave old, dirty, coal-fired power stations staggering on at increasing risk of breakdown, putting off the day of reckoning when we finally stop polluting and heating our world and get on with using affordable, reliable energy that does not cause more climate chaos.
Peter Garrett at a Nuclear Disarmament Party press conference in 1984.Credit:Ruth Maddison
The trend line is unarguable: renewable energy is cleaner, greener and getting cheaper every year. It will supersede fossil fuels in the blink of an evolutionary eye. Nuclear is a last-gasp delaying tactic.
Over 4 million Australian homes and businesses have solar panels on their roofs. South Australia routinely produces 75 per cent and sometimes up to 100 per cent of its power from renewables and is racing towards net zero, with the other states in hot pursuit. Most electricity added to global supply comes from clean energy.
When the Climate Change Authority, headed by former NSW Liberal government treasurer Matt Kean, released a report showing Dutton’s policy would result in a 2 billion-tonne blowout in dirty emissions, the Coalition’s response was to play the man and not the ball, and threaten Kean.
When a group of eminent former defence chiefs raised the spectre of nuclear plants scattered across the country vulnerable to the risk of terrorism and accidents, the Coalition response was virtual silence.
When farmers, scientists and community groups questioned the impact on precious groundwater of thirsty nuclear reactors running 24/7, the Coalition response was a shrug.
Compare this with Dutton’s proud promise that if elected, within 50 days he would approve the massive Browse Basin gas development in WA.
Due to its size, the Browse project is known as a “carbon bomb”, given it will release more than 4 billion tonnes of carbon dioxide and blow Australia’s modest greenhouse emissions targets to smithereens.
In these circumstances, the Coalition promise of boosting fossil fuels with “boutique” nuclear reactors coming on stream at some mythical future date to satisfy energy needs and reduce costs is an utter chimera.
It is best understood as a delaying tactic, an Aussie version of US President Donald Trump’s “drill baby drill”, buying more time for multinational carbon producers to keep making super profits and heating the planet at our expense.
And there is another effect of the policy: it buttresses claims that Australia should become a site for the storage of large quantities of radioactive nuclear waste generated by other countries.
Periodically, there are calls for Australia’s outback, with its stable geology and low population density, to be the site for disposal of the world’s radioactive waste. It’s an idea that has been rejected before, but don’t expect it to go away soon.
Recently, a senior US official chided Australia for not being sufficiently enthusiastic about uranium mining. In the transactional Trumpworld we now inhabit, new AI facilities envisaged by Amazon, Meta, Google and the like are expected to draw vast amounts of power, often touted as coming from nuclear.
Given the US still doesn’t have a licensed, permanent nuclear waste site after 50 years of furious debate and unsuccessful political negotiation, storage and disposal of new streams of radioactive waste will be crucial.
If the US president can posit buying Greenland and incorporating Canada as the 51st state, impose tariffs on America’s trading partners at will, and promise to end the war in Ukraine in a day, who is to say earmarking Australia as an international nuclear waste dump is a fanciful scenario? Can anyone imagine “Temu Trump” saying no?
As for polls showing younger Australians are less concerned about nuclear energy … not so fast. I’m confident that equipped with relevant facts, and mindful of the scale of the climate crisis they have inherited, they’ll see Dutton’s nuclear con job in a whole new light by the time we get to polling day.
Peter Garrett is a former Labor minister for the environment and a member of Midnight Oil.
Peter Garrett releases new single – “God On My Side”
Here we go. New single ‘God On My Side’ is out now.
When we were recording ‘The True North’, co-producer Tony Buchen and I talked about laying down a few extra tracks for fun. I always rated this World Party song and it still made the grade for me, even though the subject matter was challenging to say the least, so we decided to throw it down super-fast. It didn’t really fit the themes of ‘The True North’ though so it made more sense to release it as a freestanding single.
“God On My Side” has nothing specifically to do with my own beliefs – which are more non-doctrinal than ever – but when I read an Episcopal minister saying “ … humans never behave more badly toward one another than when they believe they are protecting God” it reminded me of this song and a lot of what we are seeing in blood red. The world seems like mayhem right now: wars and conflict raging; the rich and powerful wanting their own way and damn the consequences; unalloyed narcissism and escapism all over; so this track, unfortunately, feels very timely.
Religious writings usually espouse love but, perversely, religious leaders often end up inciting hate. I happen to believe our survival depends on recognising that everyone is created with equal rights, none lesser than the other, and that disproportionate violence, especially to innocents and children, is a crime against humanity, irrespective of what is at stake or who commits that action.
Additionally, and obviously, respect and tolerance are not merely words on a page. They are essential foundation blocks for a peaceful society, especially where people hold different religious beliefs.
“God On My Side” – by my reading – suggests that if there is just one God (as most religions proclaim), then she/he is everyone’s, not some coverall which justifies inflicting crazy violence. Love in action, truly supporting one another and being prepared to defend human rights and the planet is the only antidote to this madness.
End of sermon.
CLICK HERE to have a listen.
Heading over to Bluesky
See you over on Bluesky: https://bsky.app/profile/petergarrett.com.au
Upcoming Shows
Exciting. Got a handful of fantastic shows coming up over the next couple of months – it’ll be a fair dinkum blast.
Peter Garrett welcomes NT government decision to put Jabiluka uranium site on hold (The Guardian)
Former environment minister and Midnight Oil frontman calls on government to add site to Kakadu national park.
Mirarr traditional owners protest uranium mining on their country in Kakadu outside Energy Resources of Australia’s annual general meeting in Darwin in April. Photograph: Kirsten Blair/PR IMAGE
Former federal environment minister and Midnight Oil frontman Peter Garrett has welcomed the Northern Territory’s decision to make a temporary reservation order over the Jabiluka uranium mine site and called on his former Labor colleagues to go further and add it to Kakadu national park.
The Northern Territory government has issued a two-year order to prevent mining and exploration at Jabiluka, while a decision is pending on whether to grant the leaseholder a 10-year extension.
The reservation order under the NT Minerals Titles Act was gazetted on Wednesday and while in force it also prevents Energy Resources Australia (ERA) from applying for the grant of any mineral title over the land, which is the site of a large uranium deposit.
Garrett called for the territory and federal governments to confirm they will reject the ERA application and give the area heritage protection instead.
“Now for the final step after decades of waiting,” Garrett posted on social media site X on Wednesday. “C’wealth & NT please don’t renew existing lease, instead commit to Jabiluka going into Kakadu National Park.”
The order giving the area temporary reserve status will be reviewed within two years, if no decision is made by then. The Northern Territory government has issued a two-year order to prevent mining and exploration at Jabiluka, while a decision is pending on whether to grant the leaseholder a 10-year extension.
The reservation order will be reviewed every two years if the lease application remains unresolved.
The move is a preliminary win for the local traditional owners, the Mirrar people, and limits what ERA can do with the lease until the NT government resolves its extension application.
The NT can seek advice from the commonwealth government in making its determination but the lease decision will be made by the territory government.
The reservation order by the NT Department of Industry, Tourism and Trade, on behalf of the NT minister for mining, will take effect on the day the existing lease expires – 11 August – and remain for two years unless it is cancelled in the meantime.
That date falls 13 days before the NT election on 24 August and the reservation order potentially pushes a decision out beyond the poll.
Jabiluka is the site of one of the world’s biggest uranium deposits and ERA, which is majority owned by Rio Tinto, has held the mining lease since 1991. The mine is surrounded by Kakadu national park and the Mirrar people want the land incorporated into the park.
The granting of the original lease was hugely controversial at the time.
In the 1990s, the Mirrar people led a blockade of the mine site and applied persistent pressure to stop development.
Before the August lease expiry, ERA lodged an application in March to have it extended for a decade. ERA also operated the Ranger uranium mine, 250km east of Darwin, from 1981 until it was closed in 2021. It is now rehabilitating that land at an estimated cost of more than $2bn.
In lodging its extension application for Jabiluka, ERA argued that an extension was the best way to protect the mine site’s cultural heritage and highlighted the long-term agreement it had reached with the Mirrar people which affords them a veto right over future development. The company vowed to keep that in place if the lease was renewed.
But the Mirrar people have objected to the extension. The traditional owners have long said they do not want mining on the land.
In late 2022, when ERA commissioned a report which suggested they might reverse their opposition, the Gundjeihmi Aboriginal Corporation, which represents the Mirrar people, said generations had opposed mining and that would not change.
On Wednesday, a spokesperson for ERA described the reservation order as “an administrative measure” taken when leases are expiring.
“The NT government has advised it will have no effect on their consideration of the extension of the mining lease at Jabiluka,” the spokesperson said.
“The extension of ERA’s mining lease at Jabiluka is the best mechanism to protect the cultural heritage at Jabiluka. Under ERA’s agreement with the Mirarr Traditional Owners, which has been in place for almost 20 years, Jabiluka cannot be developed without their consent. This right of veto expires if the lease is not renewed.”
The Mirrar traditional owners welcomed the decision as providing certainty about the future and protecting the Jabiluka site from new mine proposals.
“Mirarr have always said we will never agree to mining at Jabiluka,” next-generation traditional owner Corben Mudjandi said on Wednesday. “This is sacred country and needs protection.”
The Australian Conservation Foundation said the decision to bestow special reserve status on the Jabiluka site was a fitting tribute to the Mirrar people’s long-running campaign, especially on World Environment Day.
“While very welcome, today’s development is not the final chapter in the Jabiluka uranium story and struggle,” ACF nuclear-free campaigner Dave Sweeney said.
“It is imperative now that the intent expressed in the special reserve declaration is matched in reality with no extension of the current Jabiluka mining lease.”
Midnight Oil’s Peter Garrett backs Mirarr Traditional Owners in fresh fight over Jabiluka (NT News)
An Australian rock legend has claimed “people will be ready to rally from every corner of the nation” if a uranium licence is extended in Kakadu National Park.
PETER GARRETT’S SECOND SOLO ALBUM THE TRUE NORTH IS AVAILABLE NOW
Peter Garrett finally drops his new solo album The True North today. Recorded in his hometown of Sydney with producer Tony Buchen and featuring artwork by daughter, Grace Garrett the songs span infectious rockers like ‘Permaglow’, the atmospheric title track and a new focus track called ‘Paddo’ – a rap paean to the SCG (among many other things!).
To coincide with this release Peter and his band the Alter Egos kicked off their national tour with a special “Great Southern Nights” performance at Newcastle City Hall this week that included new tunes, some highlights from his 2016 solo debut, and more than a few Midnight Oil classics featuring the signature guitar work of the Oil’s Martin Rotsey. The True North Tour includes a sold-out show at Sydney’s The Factory Theatre tonight and will then visit the other mainland capitals plus Cairns before hitting its apex at Bluesfest over Easter. For the full list of dates click here.
Meanwhile, Peter will feature in a special episode of ABC TV’s Australian Story at 8pm AEDT on Monday March 18 (and thereafter on iView) when he will be interviewed by Leigh Sales. The in-depth chat about life, activism and music was inspired by the reflective tone that runs through Peter’s new album which has already lead critics to gush:
“Musically intrepid and lyrically striking, The True North is a joy” (Jeff Jenkins, Stack Magazine)
“The True North has a sonic footprint similar to the 2016 solo debut A Version Of Now: firmly rock ‘n’ roll, but more gentle than an Oils album, tinged with folk, country and pop …. The lyrics on this album are as powerful and urgent as ever, and Garrett somehow finds new gears to sing them.” (Andrew McMillen, The Weekend Australian)
Far-right forces threaten progress for Indigenous peoples in Australia and Aotearoa
Originally published in the NZ Listener.
From the very first time I visited New Zealand, as it was then called, on Midnight Oil’s first, exhaustive tour of Aotearoa’s towns and cities some 40 years ago, the omnipresence of Maori culture was palpable albeit still peripheral to the casual eye.
This was in stark contrast to the situation across the ditch, where Australia’s Indigenous peoples were then rarely sighted, other than on the sporting field.
Fast forward to today and in both countries much has changed: Indigenous issues are mainstream, the contribution of Indigenous people is substantial.
To the regular visitor from Australia the ‘land of the long white cloud’ is notable as a place where Maori stand at the core of the nation; central to to it’s identity, prominent in sport, politics, arts and community and clearly referenced in language and the cultural expression of the successful, tolerant nation that New Zealand is widely acknowledged to be.
For many Australians, including the six million who voted in favour of an Indigenous Voice to Parliament last year, there has been an uncomfortable awareness that in comparison, the progress of recognition and support for Aboriginal and Torres Strait Islander peoples – with the indices of health and well being significantly below the national average – has been painfully slow.
It is true that for Maori and Pacifika there remains similar gaps, and that this situation ought to be successfully bridged.
Yet in your country, partly due to the existence of a treaty between the original occupants and the British crown who attempted to take control, you are further down the track towards embedding Indigenous rights and aspirations.
Add to this the absence of states within a federation – anyone watched our State of Origin rugby league competition recently? – which renders national initiatives easier to implement, and the impediments to political progress are not as great in NZ as in Australia.
In the recent unsuccessful referendum on the Voice in Australia the far flung states of Queensland and WA were significantly opposed. And the politics of localism, alongside the emergence of a dishonest, far right social media push financed by business elites, likely played a role in the failure of the proposal.
This is not to excuse the obvious lack of progress in Australia, and whilst it might not seem apparent for Kiwis when there is now discussion about rolling back some initiatives that support Maori, the analysis above rings still true for me.
Yet, having recently returned from playing a well attended Waitangi Day concert in Auckland, where there was much contention around the issue of Maori rights, and reflecting on the failure of the Yes campaign in Australia, notwithstanding the large numbers of people who ticked that Yes box, it seems clear that our joint journey toward a better shared future is in danger of being interrupted by extreme politics, and the utilisation of social media to introduce scare campaigns and racist commentary.
One of the greatest inheritances both nations possess is the relative absence of religious, sectarian or ethnic rivalries imported from the histories of countries in distant lands.
Indeed many people flee ‘trouble spots’, as they are called, to start new, peaceful lives in peace on the basis that the commitment to equality and opportunity, free of rancour and stigmatising is genuinely held down under.
What a tragedy it would be if in both countries we allowed those voices of envy and stereotyping to drown out the calmer voices wanting to continue our joint forward movement toward greater equity and national harmony.
May reason, compassion and clear headed conversations guide our path. And may we continue to value and promote Indigenous
culture and aspirations that so fundamentally embodies our national identities.
‘PERMAGLOW’ BRINGS BACK THE POLEMICAL PETER GARRETT AS ALBUM TOUR LOOMS
Peter Garrett drops a new single with the accompanying video today called ‘Permaglow’ – it’s a trenchant rallying cry for screenagers ‘wasting away in paradise’. “George Orwell was right, we had to wait a bit longer” proclaims Garrett as the singular guitar of Midnight Oil’s Martin Rostsey slashes across the anthemic rock track.
‘Permaglow’ is the lead single from Peter’s March 15 release The True North which featured on most critics’ lists of 2024’s Most Anticipated Albums. Recorded with his band The Alter Egos – the new songs are already getting some live airings with appearances at Victoria’s Riverboats Festival and a special Waitangi Day performance in New Zealand over the coming weeks.
Says Peter: “When walking late at night you often see a single light blinking out of apartment blocks and houses. People watching a screen by themselves, maybe lonely, and it was this scene I was trying to tune into with ‘Permaglow’. There’s a massive contradiction between the cult of the successful individual celebrated in the media and the reality many people face. Community should prevail over Marvel heroes every time.”
Peter’s March theatre tour will then see him and his band showcasing their new work alongside some Oils classics and tickets are on sale now (see full list below). The tour kicks off in Newcastle on March 12 before looping around most Australian capital cities for some intimate shows, then ending with a bang at Bluesfest in Byron Bay.
Special guests in Newcastle and Sydney will be NSW indie band, Raintalker. Joining Peter on all other dates except Perth will be one of his favourite singer/songwriters – the ARIA Award nominated, Olympia.
To hear ‘Permaglow’ and pre-order The True North click HERE
For full dates and ticket information please see below:
Tuesday 6 February – Waitangi @ Waititi Concert on Marae, Auckland
Saturday 17 February – Riverboats Music Festival, Echuca
Tuesday 12 March – Newcastle Civic Hall, Newcastle
Thursday 14 March – Canberra Theatre, Canberra
Friday 15 March – The Factory Theatre, Sydney
Wed 20 Mar – Thornbury Theatre, Melbourne SOLD OUT
Thursday 21 March – Thornbury Theatre, Melbourne
Friday 22 March – Hindley Street Music Hall, Adelaide
Saturday 23 March – Regal Theatre, Perth
Thursday 28 March – Tanks Arts Centre, Cairns
Saturday 30 March – The Tivoli, Brisbane
Sunday 31 March – Bluesfest, Byron Bay
CLICK HERE for tickets
Détente Statement: Towards a balance of power between the US and the China
PETER GARRETT ANNOUNCES FINAL SHOWS FOR THE TRUE NORTH TOUR
Peter and his band The Alter Egos (which features the Oils Martin Rotsey on guitar and Heather Shannon from The Jezabels on keys) will perform at Newcastle City Hall on Tuesday March 12 with special guests, Raintalker. The show will form part of the annual Great Southern Nights concert series, presented across the State by Destination NSW and ARIA.
Due to popular demand a second night has been added for Melbourne’s Thornbury Theatre on Thursday March 21. All tickets for the first show at that venue have now sold out.
Tickets for both these brand new shows are onsale now via the links at petergarrett.com.au/tour.
These will be the final dates added to this March tour which will coincide with the release of Peter’s second solo album, The True North. Two tracks have already been released from this strikingly introspective collection of songs – the epically moody title track and first single ‘Innocence Part 1’ which is currently one of the most played songs nationally on the Triple M radio network. Watch the official video for ‘Innocence Parts 1 & 2’ HERE.
In addition to his own headlining tour, Peter Garrett and The Alter Egos will also perform special festival sets at Riverboats and Bluesfest plus a one-off show in New Zealand for Waitangi Day. For all the dates, and to pre-order a copy of The True North check out www.petergarrett.com.
PETER GARRETT RELEASES MUSIC VIDEO FOR NEW SINGLE ‘INNOCENCE PARTS 1 & 2’
Peter Garrett has just launched the first music video from his forthcoming album The True North … a seering performance based piece for the lead single “Innocence” which is currently receiving ABC and MMM airplay around Australia.
CLICK TO WATCH OFFICIAL VIDEO FOR ‘INNOCENCE PARTS 1 & 2’
The clip is an extended work in two parts. Created by video artist and creative director Rachael Johnston and filmed by long-term collaborator Robert Hambling it doubles down on the song’s timely theme of dystopian resistance which Peter explains as follows:
“I was trying to figure out what was missing in my own life. After many years of activism and music and politics, environment and whatever else was going on in the world, I was starting to feel not so much jaded but a slightly heavy feeling. I realised the idea of innocence – openness, anticipation about the possibilities in life – that I had, and that we should have always as a culture, was starting to be taken away from us so I wanted to try and recapture some of that with a song that points out those people, those forces that are leaching our innocence away simply because they’re greedy/shortsighted, and haven’t matured as humans in the evolutionary chain. At the same time proclaiming that there is always space and time to react, to contest, and remake the world in a good way. It’s a big song with melody and words that run right through and so of course it’s got a part one and a part two as well. So you don’t get out lightly when you dip into Innocence but then who ever does?
PRE-ORDER NEW ALBUM THE TRUE NORTH HERE & GO IN DRAW TO WIN SIGNED ALBUM TEST PRESSING
LIMITED EDITION SIGNED PRE-ORDER BUNDLES AVAILABLE – CLICK HERE
Peter and the new lineup of his band The Alter Egos (featuring Martin Rotsey from Midnight Oil on guitar) made their live debut at Kiama’s Clearly Festival last weekend on a bill that included SKEGGS, Xavier Rudd, Ruby Fields and Gretta Ray. The band will hit Wangaratta and Melbourne’s Soundbox later this month as part of the “Always Live” program. Early next year they will perform at Victoria’s Riverboats Festival before hitting the road around the March release of True North for their own headline tour which wraps at Bluesfest. For a full list of dates and tickets, as well as pre-order info for True North, go to www.petergarrett.com/tour/
PETER GARRETT ANNOUNCES NEW ALBUM THE TRUE NORTH + NATIONAL TOUR
Peter Garrett has spent a lifetime exploring the beaten and unbeaten tracks that run through this country and its people. In March 2024 he will release a new solo album called The True North recorded with his band The Alter Egos (which includes Martin Rotsey from the Oils on guitar). It’s a deeply personal reflection on his singular journey, drawing inspiration and sustenance from the living colours of Australia’s natural environment and the sights and sounds of modern Oz.
Today, Peter announced an Australian tour in support of this release. Presale tickets will go on sale to members of the PG mailing list from 10am local time next Tuesday, October 24 with General Public on sale from Thursday October 26. For dates and all other info please (click here/see below).
The first official single from The True North was also revealed today – an uplifting track called ‘Innocence’ which urges, “it’s never too late!” Like the rest of this album the song was produced and mixed by Tony Buchen (Smashing Pumpkins, Montaigne, G-Flip, Tim Finn). The single is Peter’s first solo release since his 2016 debut with The Alter Egos, A Version Of Now, which made the top 3 of the ARIA Album chart.
The True North will be instore on Friday March 15, 2024 but a series of limited edition pre-order bundles were unveiled today featuring evocative artwork by Peter’s daughter, Grace Garrett. To view those items and the album track listing (click here/see below).
WATCH THE VISUALISER FOR
‘THE TRUE NORTH’
Visualiser created by Rachael Johnston
The core band involved in making the album was Martin Rotsey (Midnight Oil) on guitar with Heather Shannon (The Jezabels) on piano and keys, Evan Mannell on drums and Rowan Lane on bass. Freya Schack-Arnott on cello and Ollie Thorpe on pedal steel joined in too as did two of Peter’s daughters, May and Grace who sang on some of the key tracks.
“With the Oils, and even the first solo record, there was plenty of banging down the doors and speaking out about the things that need to change”, Peter reflects. “There’s still a bit of that in this album too of course but generally these songs are reflective of the special things we need to cherish; the natural world as well as our always spinning internal compass, that helps us navigate the unruly passage of life.”
CLICK HERE TO LISTEN TO ‘INNOCENCE’ PARTS 1 & 2
PETER GARRETT & THE ALTER EGOS
THE TRUE NORTH TOUR 2024
Presented by Select Music & Eleven: A Music Company
PRE-SALE TICKETING INFORMATION
CLICK HERE to sign up to the PG mailing list for access to pre-sale tickets.
Pre-sale Runs 24 hours from: Tuesday 24 October (10am local time) or until pre-sale allocation exhausted.
IMPORTANT: An email with pre-sale ticketing access will be sent at 7am AEDT, Tuesday 24 October. Please ensure to check your spam folders, if you do not see a pre-sale email in your inbox shortly after this time.
General public on-sale begins: Thursday 26 October (10am local time)
TOUR DATES
Thursday 14 March – Canberra Theatre, Canberra
Friday 15 March – The Factory Theatre, Sydney **
Wednesday 20 March– Thornbury Theatre, Melbourne **
Friday 22 March – Hindley Street Music Hall, Adelaide **
Saturday 23 March – The Regal Theatre, Perth
Thursday 28 March – Tanks Arts Centre, Cairns ***
Saturday 30 March – The Tivoli, Brisbane
All ages except ** 18+ and *** 15+
ALSO PERFORMING AT
Friday 10 November, 2023
Clearly Music & Arts Festival, Kiama – Keynote Speech
Saturday 11 November, 2023
Clearly Music & Arts Festival, Kiama
Wednesday 29 November, 2023
Always Live: Wangaratta Performing Arts & Convention Centre, Wangaratta
Thursday 30 November, 2023
Always Live: Soundbox Performance, Arts Centre Forecourt Podium, Melbourne
Saturday 17 February, 2024
Riverboats Music Festival, Echuca, Vic
Sunday 31 March, 2024
Bluesfest, Byron Bay
Patrons are advised to purchase tickets only through authorised ticket sellers. We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on petergarrett.com.au/tour
THE TRUE NORTH OUT MARCH 15, 2024
Track list:
The True North
Paddo
Innocence Parts 1 & 2
Hey Archetype
Permaglow
Human Playground
Currowan
Meltdown
Everybody
CLICK HERE FOR ‘THE TRUE NORTH’ LIMITED EDITION PREORDER BUNDLES.
PETER GARRETT SHARES FIRST TASTE OF NEW MUSIC FROM FORTHCOMING SOLO ALBUM THE TRUE NORTH
Recorded with his band The Alter Egos (which includes Martin Rotsey from the Oils on guitar) and produced by Tony Buchen (Smashing Pumpkins, Montaigne, G-Flip, Tim Finn) the album will be previewed at a handful of live performances (click here for dates) over coming months. It will be Peter’s second solo release, following 2016’s A Version Of Now which made the top 3 on the ARIA chart.
The first song to be revealed from The True North is the title track; a quietly evocative ode to “kinship and conscience” which was made available last Friday.
With the Oils, and even the first solo record, there was plenty of banging down the doors and speaking out about the things that need to change”, Peter reflects. “There’s still a bit of that in this album too of course but generally these songs are reflective of the special things we need to cherish; the natural world as well as our always spinning internal compass, that helps us navigate the unruly passage of life. That’s why I wanted to share this song first – it sets a different tone.”
Peter Garrett & The Alter Egos to play ‘Always Live’ in Wangaratta, 29 November
